After a time though, we finally 'got it'. The light comprised two sources of red and blue and cast odd shadows on objects, urging you to move your head to see better. When moving then, the sound changed, in fact, by a simple left-to-right head movement, the drone now became two distinct pitches.
So in fact, the room itself became an instrument, which you 'played' with the movement of your body. Often different when seated on the floor cushions, or moving deliberately around the room. Fantastic, engaging project. For more, see the MELA Foundation.I also had the opportunity to spend time in the wonderful Electric Lady Studios, the brainchild of Jimi Hendrix who comissioned John Storyk to build the facility in the late 60s. Many thanks to the generosity of studio manager Lee Foster who looked after me during my visit.
Lee showed me around the three studio spaces (and especially Studio A, where that great music from Hendrix was made), as well as telling me much about the historical background, more recent modifications and the recent projects which have been happening (including Dylan, Guns & Roses, Beyonce and others).
So much history here, and as Lee explained, the artwork around the building was commissioned by Hendrix himself who wanted a 'spaceship' (albeit, psychedelic). Spine-chilling really, to wander the rooms and the corridors.
Inspired, I headed off in search on Manny's, where Hendrix, Dylan and others shopped for their guitars.
I came away with this fantastic Martin CF-1, a collaboration between Martin Guitars and Dale Unger (American Archtop). Represenative of that special period where the acoustic guitar evolved into the electric, it's not simply a jazz guitar, but rather, a high quality acoustic instument with a pickup fitted.
A great piece of memorabilia from New York, Manny's and a reminder of why I started playing music in the first place: Jimi Hendrix.
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