Lyrics:
[Sagan]
If you wish to make an apple pie from scratch
You must first invent the universe
Space is filled with a network of wormholes
You might emerge somewhere else in space
Some when-else in time
The sky calls to us
If we do not destroy ourselves
We will one day venture to the stars
A still more glorious dawn awaits
Not a sunrise, but a galaxy rise
A morning filled with 400 billion suns
The rising of the milky way
The Cosmos is full beyond measure of elegant truths
Of exquisite interrelationships
Of the awesome machinery of nature
I believe our future depends powerfully
On how well we understand this cosmos
In which we float like a mote of dust
In the morning sky
But the brain does much more than just recollect
It inter-compares, it synthesizes, it analyzes
it generates abstractions
The simplest thought like the concept of the number one
Has an elaborate logical underpinning
The brain has it's own language
For testing the structure and consistency of the world
[Hawking]
For thousands of years
People have wondered about the universe
Did it stretch out forever
Or was there a limit
From the big bang to black holes
From dark matter to a possible big crunch
Our image of the universe today
Is full of strange sounding ideas
[Sagan]
How lucky we are to live in this time
The first moment in human history
When we are in fact visiting other worlds
The surface of the earth is the shore of the cosmic ocean
Recently we've waded a little way out
And the water seems inviting
26 September 2009
A Glorious Dawn
A lovely piece from colorpulsemusic.com: A musical tribute to Carl Sagan and Stephen Hawking: 'A Glorious Dawn - Cosmos remixed'. Almost all samples and footage are taken from Carl Sagan's Cosmos and Stephen Hawking's Universe series.
19 September 2009
The long drive to Melbourne & back
Just back from Melbourne, a 1700k driving trip either way from Brisbane (!). Beautiful weather, wonderful Saab 93 cabrio, and glorious country – some pictures from the trip are available on MobileMe.
The main reason for the long drive was to show our visitors from New York, Bill Duckworth and Nora Farrell around the country – especially the outback and some wonderful towns on the slow drive back to Brisbane, including Rutherglen, Katoomba and Bellingen.
In Melbourne, we stayed in the glorious Paramount Apartments overlooking the city.
Bill Duckworth gave lectures about his work at RMIT and at VCAM (Victorian College of the Arts & Music, UniMelb). Here's a video of his lecture from VCAM's cross media workshop (to VCAM's Mark Pollard – thanks so much for the hospitality!):
We also went to SIAL (RMIT's Spatial Information Architecture Laboratory) where Bill also delivered a lecture, but also got to tour their facilities with Lawrence Harvey. Of note was their wonderful studio 'pod', a purpose-built room-within-a-room that looks incredible:

Thanks to Lawrence, Bill, Nora, Jenny, Glyn, Margaret, John, Mark, Sue, Ian – and the Saab – for a great trip and wonderful memories of Melbourne and the Australian outback.

We also went to SIAL (RMIT's Spatial Information Architecture Laboratory) where Bill also delivered a lecture, but also got to tour their facilities with Lawrence Harvey. Of note was their wonderful studio 'pod', a purpose-built room-within-a-room that looks incredible:

Thanks to Lawrence, Bill, Nora, Jenny, Glyn, Margaret, John, Mark, Sue, Ian – and the Saab – for a great trip and wonderful memories of Melbourne and the Australian outback.
07 September 2009
Longplayer
Came across this intriguing project on Daily Dose (courtesy of Nora Farrell):
Longplayer combines an interactive sculpture and a systems-theory experiment in the service of a 1,000-year-long musical composition.
An ambitious project for anyone who ever wondered about humanity’s ability to pursue trans-generational art, Longplayer was launched in 1999 by composer (and Pogues member) Jem Finer and an advisory board that included Brian Eno. In 2000, the project was turned over to the Longplayer Trust, a compendium of experts dedicated to its preservation until the 2999 completion of its first cycle.
Longplayer combines an interactive sculpture and a systems-theory experiment in the service of a 1,000-year-long musical composition.
An ambitious project for anyone who ever wondered about humanity’s ability to pursue trans-generational art, Longplayer was launched in 1999 by composer (and Pogues member) Jem Finer and an advisory board that included Brian Eno. In 2000, the project was turned over to the Longplayer Trust, a compendium of experts dedicated to its preservation until the 2999 completion of its first cycle.
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